Industry sources say that Ajith’s 50th film ‘Asal’ will be releasing in 500 screens worldwide. It’s worthy to mention that Ajith’s previous film ‘Billa’ released in 300 screens across the world with 300 prints.
On the other hand, Chennai distributors are happy as Ajith-Saran films earn awesome collection and so are confident that ‘Asal’ will pay them big time too.
‘Asal’ is expected to throw a lot of surprises and one among them will be Ajith’s getup as they have worked a lot before finalizing that make over.
As of now, Asal’s audio is making rounds often in radio channels. Sivaji films had announced that our Thala will be receiving a special credit from them to have associated with the movie apart from acting in the lead role.
Industry is abuzz that ‘Asal’ might be a Feb release. Produced by Prabhu and Ramkumar for Sivaji Films, Ajith has Sameera Reddy and Bhavana opposite him.
Sunday, January 17, 2010
Captain TV Logo launched
Benchmarking Pongal festival the logo of Captain TV was released on 14th January by the DMDK leader and actor Vijayakanth.
This entertainment channel includes an array of serials between Mondays to Fridays, films at noon from Monday to Friday, and English movies with Tamil dubbing at noon on weekends, latest Tamil movies on weekends and more. We hear that programs for women, children, students and the youth are given prime importance.
News sessions would be on voicing the issues of the people. Apart from this Captain TV is all set to identify and encourage the talented through its programs, say the sources.
It was announced that Captain TV’s trial telecast would be witnessed from March 15th to April 13th. Captain TV would then be telecasted 24 hours from April 14th to everyone’s delight. All the programs are designed to be innovative and interesting. This Channel is broadcasted through INSAT 4B Satellite.
This entertainment channel includes an array of serials between Mondays to Fridays, films at noon from Monday to Friday, and English movies with Tamil dubbing at noon on weekends, latest Tamil movies on weekends and more. We hear that programs for women, children, students and the youth are given prime importance.
News sessions would be on voicing the issues of the people. Apart from this Captain TV is all set to identify and encourage the talented through its programs, say the sources.
It was announced that Captain TV’s trial telecast would be witnessed from March 15th to April 13th. Captain TV would then be telecasted 24 hours from April 14th to everyone’s delight. All the programs are designed to be innovative and interesting. This Channel is broadcasted through INSAT 4B Satellite.
Ten Reasons to must watch Aayirathil Oruvan movie
* To know why it took nearly three years for Selva and his team to complete the film.
* Is the wait really worth?
* The first half, which is rich, racy and riveting.
* Some new attempts in terms of screenplay, narration and making
* For cinematographer Ramji who has brought to light the vision of his director.
* Art direction, which stuns the viewers, besides sending the chill down their spines.
* The musical score of G V Prakash Kumar.
* For the performance of the lead trio- Karthi, Reemma and Andrea Jeremiah and thousands of junior artistes who had given their heart out.
* Painstaking efforts of the director in many a scene.
* And not but not the least, for the producer R Ravendran, who had invested crores and crores of rupees to present a ‘different movie'
* Is the wait really worth?
* The first half, which is rich, racy and riveting.
* Some new attempts in terms of screenplay, narration and making
* For cinematographer Ramji who has brought to light the vision of his director.
* Art direction, which stuns the viewers, besides sending the chill down their spines.
* The musical score of G V Prakash Kumar.
* For the performance of the lead trio- Karthi, Reemma and Andrea Jeremiah and thousands of junior artistes who had given their heart out.
* Painstaking efforts of the director in many a scene.
* And not but not the least, for the producer R Ravendran, who had invested crores and crores of rupees to present a ‘different movie'
Actress Sneha to go sexy Way
Actress Sneha to go sexy
She showcased all of her skin in Telugu films, but managed all these days avoiding skin show for Kollywood.
As she is getting old, opportunities are getting thin, she want to try her last attempt in Kollywood and hence she is ready for skin show.
Luckily, there is no one ready in Kollywood to show this family looking babe Sneha in sexy costume.
Presently she is Bavani in Bavani IPS. To act as an sincere police officer she has perfected her curves and thinned her body.
She want to showcase her present structure to the men who watches Tamil movies.
Her skin show threatens the prosperity of Priyamani, Namitha and others
She showcased all of her skin in Telugu films, but managed all these days avoiding skin show for Kollywood.
As she is getting old, opportunities are getting thin, she want to try her last attempt in Kollywood and hence she is ready for skin show.
Luckily, there is no one ready in Kollywood to show this family looking babe Sneha in sexy costume.
Presently she is Bavani in Bavani IPS. To act as an sincere police officer she has perfected her curves and thinned her body.
She want to showcase her present structure to the men who watches Tamil movies.
Her skin show threatens the prosperity of Priyamani, Namitha and others
Kulaseharanum Kulipadayum, Kulaseharanum Kulipadayum Wiki, Kulaseharanum Kulipadayum Stills, Kulaseharanum Kulipadayum Review, Kulaseharanum Kulipaday
Kulaseharanum Kulipadayum, Kulaseharanum Kulipadayum Wiki, Kulaseharanum Kulipadayum Stills, Kulaseharanum Kulipadayum Review, Kulaseharanum Kulipadayum Cast, Kulaseharanum Kulipadayum Songs, Kulaseharanum Kulipadayum Mp3, Kulaseharanum Kulipadayum Gallery
The “puja” of SNS Movies and Sanraa Medias new film Kulaseharanum Kulipadayum (KK) was held in a grand manner at the Prasad Studios today (Sunday, January 17).
The film has Sathyaraj, Prakashraj, Natraj, Vadivelu, Brahmmanandam Keerthi Chawla and Udhayatara in the lead. The music for the film is by the maestro Ilayaraja, while camera is handled by RD Rajasekar and Thota Tharani is the art director.
KK is directed by G Siva who had earlier made Dhanam with Sangeeta. The film is produced by Usha Venkataramani and Murliraman formerly of Jaya TV. The Chief guest at the function was Union Minister Jagatrakahagan who lauded Siva’s efforts as a filmmaker and FEFSI committee member.
The script was launched by the veteran director K Balachander and the first clap was given by Illayaraja who rarely attends film functions. Sathyaraj praised KB and said how much he learnt from him just by sharing one scene with him in Muriyadi while KB said he was nervous since he was in awe of Sathyaraj’s acting.
The event was attended by leading film personalities like K S Ravikumar,RB Chowdary,VC Guhanathan,Yaar Kannan, Sivasakthipandian, Kajamoideen,VN Chidambambaram and others.
The “puja” of SNS Movies and Sanraa Medias new film Kulaseharanum Kulipadayum (KK) was held in a grand manner at the Prasad Studios today (Sunday, January 17).
The film has Sathyaraj, Prakashraj, Natraj, Vadivelu, Brahmmanandam Keerthi Chawla and Udhayatara in the lead. The music for the film is by the maestro Ilayaraja, while camera is handled by RD Rajasekar and Thota Tharani is the art director.
KK is directed by G Siva who had earlier made Dhanam with Sangeeta. The film is produced by Usha Venkataramani and Murliraman formerly of Jaya TV. The Chief guest at the function was Union Minister Jagatrakahagan who lauded Siva’s efforts as a filmmaker and FEFSI committee member.
The script was launched by the veteran director K Balachander and the first clap was given by Illayaraja who rarely attends film functions. Sathyaraj praised KB and said how much he learnt from him just by sharing one scene with him in Muriyadi while KB said he was nervous since he was in awe of Sathyaraj’s acting.
The event was attended by leading film personalities like K S Ravikumar,RB Chowdary,VC Guhanathan,Yaar Kannan, Sivasakthipandian, Kajamoideen,VN Chidambambaram and others.
Vikram completes Raavan movie dubbing Work
Vikram completes Raavan movie dubbing Work
The dubbing work of Mani Ratnam’s Raavan is almost over and last week Vikram completed his portion.
Sources close to Mani say the director is very pleased with the final product.
It is said to be his best work so far. The buzz is that Vikram is outstanding in the film where he plays role with negative shades.
Now the latest we hear is that once AR Rahman comes back from Australia, Mani Ratnam will start his RR (Re Recording) for the film.
The final copy of the film will be ready by April first week. Reliance Big Pictures which is rumoured to have paid Mani Ratnam nearly Rs 100 Crore for Raavan in Hindi, Tamil and Telugu is planning to release it big worldwide in May.
The dubbing work of Mani Ratnam’s Raavan is almost over and last week Vikram completed his portion.
Sources close to Mani say the director is very pleased with the final product.
It is said to be his best work so far. The buzz is that Vikram is outstanding in the film where he plays role with negative shades.
Now the latest we hear is that once AR Rahman comes back from Australia, Mani Ratnam will start his RR (Re Recording) for the film.
The final copy of the film will be ready by April first week. Reliance Big Pictures which is rumoured to have paid Mani Ratnam nearly Rs 100 Crore for Raavan in Hindi, Tamil and Telugu is planning to release it big worldwide in May.
Ameer in Kannabiran, Kannabiran Wiki, Kannabiran Review, Kannabiran Story, Kannabiran Songs, Kannabiran Stills, Kannabiran Mp3, Kannabiran Review
Ameer in Kannabiran, Kannabiran Wiki, Kannabiran Review, Kannabiran Story, Kannabiran Songs, Kannabiran Stills, Kannabiran Mp3, Kannabiran Review
While ‘Jayam’ Ravi is still confused whether to start his next with Ameer’s ‘Kannabiraan’ and Prabhu Deva’s ‘Ich’ director Ameer has silently begun the scripting work for ‘Kannabiraan’. After ‘Yogi’ not doing well at the box office, Ameer silently moved to his native Madurai and started working on the script for ‘Kannabiraan’. Also he has delegated other ‘Kannabiraan’ research works to his assistants. The film is said to have a Madurai base and talks about the violent life and times of Madurai and its dons.
Although the plot revolves around Madurai rowdies Ameer has planned something different in this film. He is going change the popular perception that Madurai is a land of blood and violence, according to sources.
While ‘Jayam’ Ravi is still confused whether to start his next with Ameer’s ‘Kannabiraan’ and Prabhu Deva’s ‘Ich’ director Ameer has silently begun the scripting work for ‘Kannabiraan’. After ‘Yogi’ not doing well at the box office, Ameer silently moved to his native Madurai and started working on the script for ‘Kannabiraan’. Also he has delegated other ‘Kannabiraan’ research works to his assistants. The film is said to have a Madurai base and talks about the violent life and times of Madurai and its dons.
Although the plot revolves around Madurai rowdies Ameer has planned something different in this film. He is going change the popular perception that Madurai is a land of blood and violence, according to sources.
Shankar pens on Endhiran
Rajinikanth-starrer ‘Endhiran’, is going to be a visually wowee and technically super rich film. Get ready for an ultra-technical film that will be simply spellbinding. Yes, what do you say about a film, which some renowned technicians of the world-famous Stan Winston Studios have called as a movie that has made maximum use of the animatronics technique?
Director Shankar, in his blog, recently stated that the film makes use of the aforementioned technique and that its use is effective in Endhiran. "Endhiran is the first Indian movie to use Stan Winston Studio’s Animatronics technology. We all are proud and happy to be associated with the number one Hollywood studio who did a great job in movies like Jurassic Park, Predator, Terminator, Ironman and the recent Avatar," Shankar wrote in his blog.
Around 22 scenes of the movie have been shot using the technique. It reportedly took 30 months of planning and conceptualisation for a group of technicians, who came to Chennai's Sun Stuios to work for a period of 4 months to execute it. Gasp!
In his blog, Shankar has even put some of the exclusive pics where we see him with the Hollywood technicians, Rajini and others.
Director Shankar, in his blog, recently stated that the film makes use of the aforementioned technique and that its use is effective in Endhiran. "Endhiran is the first Indian movie to use Stan Winston Studio’s Animatronics technology. We all are proud and happy to be associated with the number one Hollywood studio who did a great job in movies like Jurassic Park, Predator, Terminator, Ironman and the recent Avatar," Shankar wrote in his blog.
Around 22 scenes of the movie have been shot using the technique. It reportedly took 30 months of planning and conceptualisation for a group of technicians, who came to Chennai's Sun Stuios to work for a period of 4 months to execute it. Gasp!
In his blog, Shankar has even put some of the exclusive pics where we see him with the Hollywood technicians, Rajini and others.
Simbu in his elements
Silambarasan is in news more than ever not just because of his ‘Vinnaithandi Varuvaya’ is set for release. He is also in the news with rumours floating around about his coziness with Trisha while they were shooting in Malta Islands. When he was asked about it Silambarasan denied it strongly.
He said he had no time for anything other than work in Malta. “If I am not shooting I was busy doing scripting work for my next films.” Silambarasan said. He also claims he has completed the scripts of both his future projects ‘Manmadhan-2’ and ‘Vaaliban’.
He said he had no time for anything other than work in Malta. “If I am not shooting I was busy doing scripting work for my next films.” Silambarasan said. He also claims he has completed the scripts of both his future projects ‘Manmadhan-2’ and ‘Vaaliban’.
Tamanna Pair With Sasikumar
Hot shot director Sasikumar’s next untitled film in which Samuthirakani and A L Azhagappan are playing important roles is fast progressing in Chennai. The director has chosen four different titles for the film and the entire unit is at work in choosing the best.
Meanwhile news is also out that a role reversal will soon happen and Sasikumar will be directed by Samuthirakani in the next film by the unit. We hope even that will have a ‘Naadodigal’ effect.
But the hottest news is Tamannah has been approached to play heroine opposite Sasikumar. Tamannah has also agreed to give 45 days if the schedule is in November. Now who do you think is being catapulted to big league?
Meanwhile news is also out that a role reversal will soon happen and Sasikumar will be directed by Samuthirakani in the next film by the unit. We hope even that will have a ‘Naadodigal’ effect.
But the hottest news is Tamannah has been approached to play heroine opposite Sasikumar. Tamannah has also agreed to give 45 days if the schedule is in November. Now who do you think is being catapulted to big league?
Abhinav Bindra enied participation at the Commonwealth games
The weird ways of the National Rifle Association (NRAI) has forced the sole gold medalist from India at the Olympics 2008 Abhinav Bindra to consider quitting the sport altogether.
Abhinav, who is practicing abroad for the past six months for the Commonwealth Games and the Asian Games, which is to be held in India and China respectively, was called to show up for regular trials in India.
Bindra had to rush from Germany where he was practicing, to attend one of the trials and was appalled when the trial was postponed at the last moment.
Despite requesting the NRAI and the Sports Ministry to allow him to prepare in the same manner as he prepared for the Beijing Olympics there was no response from either of them.
A very upset Bindra said, “The present situation has me very upset and does not leave me with much motivation.”
He further added, “I don’t see any chance of future success if I'm not allowed to prepare in a certain way that has worked for me and is what my professional team and I have planned.”
To make matters worse, Bindra was denied participation at the Commonwealth shooting championship, which was to be held in February in Delhi.
Abhinav, who is practicing abroad for the past six months for the Commonwealth Games and the Asian Games, which is to be held in India and China respectively, was called to show up for regular trials in India.
Bindra had to rush from Germany where he was practicing, to attend one of the trials and was appalled when the trial was postponed at the last moment.
Despite requesting the NRAI and the Sports Ministry to allow him to prepare in the same manner as he prepared for the Beijing Olympics there was no response from either of them.
A very upset Bindra said, “The present situation has me very upset and does not leave me with much motivation.”
He further added, “I don’t see any chance of future success if I'm not allowed to prepare in a certain way that has worked for me and is what my professional team and I have planned.”
To make matters worse, Bindra was denied participation at the Commonwealth shooting championship, which was to be held in February in Delhi.
Cricketers to help hockey players - Gavaskar
Unable to see the national sport of the country hockey sinking, the Indian cricket team has decided to help the hockey players.
The hockey players stopped their training session seeking their past incentives.
Former Indian skipper Gavaskar took up the initiative and Dhoni and his boys have joined him to help the hockey players resume their training for the World Cup.
Speaking on this Gavaskar said, “I approached skipper Dhoni and Harbhajan and suggested that we as the cricketing fraternity should come forward and help the situation by offering the players the incentive, recognition and reward that they were looking for a podium finish. To my absolute delight both were most agreeable and said that they would talk to the other players as well as those coming in to join the Test squad. Now that the issue stands resolved we are all delighted and wish the players the very best for the World Cup next month.”
Hope with this noble gesture of team India, the hockey players will go back to their training camps and bring home the Cup.
The hockey players stopped their training session seeking their past incentives.
Former Indian skipper Gavaskar took up the initiative and Dhoni and his boys have joined him to help the hockey players resume their training for the World Cup.
Speaking on this Gavaskar said, “I approached skipper Dhoni and Harbhajan and suggested that we as the cricketing fraternity should come forward and help the situation by offering the players the incentive, recognition and reward that they were looking for a podium finish. To my absolute delight both were most agreeable and said that they would talk to the other players as well as those coming in to join the Test squad. Now that the issue stands resolved we are all delighted and wish the players the very best for the World Cup next month.”
Hope with this noble gesture of team India, the hockey players will go back to their training camps and bring home the Cup.
Kutty Movie Torrent Download
Kutty Movie Torrent Download
Kutty Review
Romantic entertainers have always had a special place in the Tamil movie industry, which is why there are so many ridiculous movies abounding. Occasionally, though, you do get something that makes you smile genuinely and one of those is Gemini Film Circuit's Kutty, directed by Mithran A Jawahar, who's already given us the successful Yaaradi Nee Mohini.
This time around, it's the Tamil version of the Telugu hit Arya and a fun ride it is, with a loveable rascal the likes of which you see only in cinema.
Kutty's (Dhanush) mission in life, it seems, is to somehow gain the love of Geetha (Shriya Saran [ Images ]), who is a student and seems to be half in love with fellow student and rich guy Arjun (Sameer Dattani). Kutty, however, is nothing if not persistent, and begins a hard-headed campaign to gain her love. He accosts her in class, at the coffee-shop, the grounds and off-campus, makes philosophical points which are genuinely hilarious but confusing, confound and throws her so completely off balance. Geetha's bewilderment is evident but she's also torn about Arjun's feelings for her, and about how to handle the situation.
Meantime, Kutty manages to rile up Arjun as well, who's always in company of his cohorts headed by Srinath but it's always Arjun who ends up losing, somehow. Matters soon come to a head: Arjun can't stand it any more, Geetha is infuriated and depressed by the lewd comments on the notice-board, while Kutty gets beaten. And then comes the clincher: all three run away. Together.
It might seem the same old story on paper and it is, but Sukumar (who wrote and directed the original Telugu movie) is to be credited for the spontaneous dialogues, and appealing, racy screenplay. Thankfully, at least this director doesn't put women down. Despite the predictable end, you're glued to the screen because of the intriguing plot twists (which also helps you ignore plot-holes like beautiful shacks owned by penniless orphans, heroes whose karate moves knock out fifty men, etc).
Of course, the reason this paper-thin plot even works for viewers is Dhanush. The man's charisma has grown from strength to strength. He dances, sings, smiles, spouts dialogues with such casual abandon and grace that he keeps his audience in fits of laughter. Comedy comes easily to him and this time around, he even fights off the villains (headed by Vincent Ashokan) with panache (accompanied by screeches and screams of delirious approval from fans). But when he finally breaks down in front of Shriya, allowing his emotions to surface, you see the actor he is, and how much he is really capable of.
Shriya is the beautiful but clueless young girl pursued by so many men that you wonder if she carries a love potion or something around. She does try to act though, and wear nice costumes (as against the routine navel act), so this is something of a different outing for her. Sameer Dattani frowns most of the time and is routed by Dhanush so much that you end up feeling sorry for him. The rest comprising of Radha Ravi, Mayilsamy and Srinath have no part to play.
Kutty Review
Romantic entertainers have always had a special place in the Tamil movie industry, which is why there are so many ridiculous movies abounding. Occasionally, though, you do get something that makes you smile genuinely and one of those is Gemini Film Circuit's Kutty, directed by Mithran A Jawahar, who's already given us the successful Yaaradi Nee Mohini.
This time around, it's the Tamil version of the Telugu hit Arya and a fun ride it is, with a loveable rascal the likes of which you see only in cinema.
Kutty's (Dhanush) mission in life, it seems, is to somehow gain the love of Geetha (Shriya Saran [ Images ]), who is a student and seems to be half in love with fellow student and rich guy Arjun (Sameer Dattani). Kutty, however, is nothing if not persistent, and begins a hard-headed campaign to gain her love. He accosts her in class, at the coffee-shop, the grounds and off-campus, makes philosophical points which are genuinely hilarious but confusing, confound and throws her so completely off balance. Geetha's bewilderment is evident but she's also torn about Arjun's feelings for her, and about how to handle the situation.
Meantime, Kutty manages to rile up Arjun as well, who's always in company of his cohorts headed by Srinath but it's always Arjun who ends up losing, somehow. Matters soon come to a head: Arjun can't stand it any more, Geetha is infuriated and depressed by the lewd comments on the notice-board, while Kutty gets beaten. And then comes the clincher: all three run away. Together.
It might seem the same old story on paper and it is, but Sukumar (who wrote and directed the original Telugu movie) is to be credited for the spontaneous dialogues, and appealing, racy screenplay. Thankfully, at least this director doesn't put women down. Despite the predictable end, you're glued to the screen because of the intriguing plot twists (which also helps you ignore plot-holes like beautiful shacks owned by penniless orphans, heroes whose karate moves knock out fifty men, etc).
Of course, the reason this paper-thin plot even works for viewers is Dhanush. The man's charisma has grown from strength to strength. He dances, sings, smiles, spouts dialogues with such casual abandon and grace that he keeps his audience in fits of laughter. Comedy comes easily to him and this time around, he even fights off the villains (headed by Vincent Ashokan) with panache (accompanied by screeches and screams of delirious approval from fans). But when he finally breaks down in front of Shriya, allowing his emotions to surface, you see the actor he is, and how much he is really capable of.
Shriya is the beautiful but clueless young girl pursued by so many men that you wonder if she carries a love potion or something around. She does try to act though, and wear nice costumes (as against the routine navel act), so this is something of a different outing for her. Sameer Dattani frowns most of the time and is routed by Dhanush so much that you end up feeling sorry for him. The rest comprising of Radha Ravi, Mayilsamy and Srinath have no part to play.
Aayirathil Oruvan Movie Torrent Download
Aayirathil Oruvan Movie Torrent Download
Group of people at odds in all aspects get lost in an unknown island and all of sudden they travel from 2006 to 1977- 30 years back to the past. Is it reality or realms of fiction? Plainly, it’s a work of fiction that has been keeping everyone across the globe: from US President to the ordinary laymen in far-flung corners so curious about this final season. This is all about Lost- World’s most highly rated TRP show and it was recently ranked on the 5th position for the global viewership on youtube.com
Lost is all about few survivors of Oceanic 6 (Flight traveling from United States to Australia) crash that leaves them on an isolated island. The survivors have no idea about their whereabouts and what turns the thing so weird is the Time Machine that lets them travel back to past from 2006-1977.
Well, it looks like Selvaraghavan’s Aayirathil Oruvan too has been based on the same story about three characters time traveling from the present situation towards ancient centuries of Chola dynasty. The adventurous thrills about fireballs thrown from the other ends are seemingly lifted from this TV series. A forest officer, an archaeologist and a local coolie have embarked a journey on the quest of hidden past about Chola dynasty only to experience series of bizarre.
It’s noteworthy that a mysterious invisible creature killing down the survivors was blatantly replicated in Ram Gopal Varma’s Agyaat. Time Travel has been the most-loved theme for the Hollywood filmmakers as they have churned out numerous flicks based on this. Be it Back to the Future or the recent Time Traveler’s wife, these movies have been offering a sense of astonishing fantasy for the world audiences. Similarly, Bollywood’s super hit Jodi Akshay Kumar-Vipul Shah has geared up for Action Replay based on Time Travel.
Group of people at odds in all aspects get lost in an unknown island and all of sudden they travel from 2006 to 1977- 30 years back to the past. Is it reality or realms of fiction? Plainly, it’s a work of fiction that has been keeping everyone across the globe: from US President to the ordinary laymen in far-flung corners so curious about this final season. This is all about Lost- World’s most highly rated TRP show and it was recently ranked on the 5th position for the global viewership on youtube.com
Lost is all about few survivors of Oceanic 6 (Flight traveling from United States to Australia) crash that leaves them on an isolated island. The survivors have no idea about their whereabouts and what turns the thing so weird is the Time Machine that lets them travel back to past from 2006-1977.
Well, it looks like Selvaraghavan’s Aayirathil Oruvan too has been based on the same story about three characters time traveling from the present situation towards ancient centuries of Chola dynasty. The adventurous thrills about fireballs thrown from the other ends are seemingly lifted from this TV series. A forest officer, an archaeologist and a local coolie have embarked a journey on the quest of hidden past about Chola dynasty only to experience series of bizarre.
It’s noteworthy that a mysterious invisible creature killing down the survivors was blatantly replicated in Ram Gopal Varma’s Agyaat. Time Travel has been the most-loved theme for the Hollywood filmmakers as they have churned out numerous flicks based on this. Be it Back to the Future or the recent Time Traveler’s wife, these movies have been offering a sense of astonishing fantasy for the world audiences. Similarly, Bollywood’s super hit Jodi Akshay Kumar-Vipul Shah has geared up for Action Replay based on Time Travel.
Watch Porkkalam movie Online
Watch Porkkalam movie Online
Starcast: Kishore, Smitha, Lal, Biju Menon, Ponvannan, Sampath, Santhana Bharathy
Director: Bandi Saroj Kumar
Producer: Bhaskara Rao
Music: Rohit Kulkarni
Porkkalam Movie Review :
Porkkalam is a movie about a battle of a one man army. The war that ensues is beyond the realms of human imagination.
Here is a man who is not scared of littering the battleground with corpses but will he succeed? Neither is he scared of killing people nor is he scared of death.
This is a battle for love, a battle for revenge and battle for destiny. Will he succeed in this bloody gory battle?
Starcast: Kishore, Smitha, Lal, Biju Menon, Ponvannan, Sampath, Santhana Bharathy
Director: Bandi Saroj Kumar
Producer: Bhaskara Rao
Music: Rohit Kulkarni
Porkkalam Movie Review :
Porkkalam is a movie about a battle of a one man army. The war that ensues is beyond the realms of human imagination.
Here is a man who is not scared of littering the battleground with corpses but will he succeed? Neither is he scared of killing people nor is he scared of death.
This is a battle for love, a battle for revenge and battle for destiny. Will he succeed in this bloody gory battle?
Watch Naanayam movie online
Watch Naanayam movie online
Bank heists - it's something new when it comes to Tamil film industry. For sure, one thing that keeps us reminisced about 'bank robbery' sequence was with Bhagyaraj's yesteryear 'Rudra' that had a hilarious take on that trait. In literal sense, Hollywood’s best flicks – Tom Hanks' The Lady Killer, The Great Bank Robbery, Denzel Washington's 'Inside Man' and Al Pacino's 'Dog Day Afternoon' keeps us invigorated even when watched innumerable times.
But then, with Kollywood, there haven't been films completely based on bank robberies. Now with 'Nanayam' striking out with its genre, expectations were more with slick trailer. On pars, it could be termed as a challenging project for debutant Sakthi Rajan for having roped in two not-so successful actors Prasanna and Sibiraj in lead roles.
So, does the film live up to the expectations?
Definitely not! The film abysmally fails to engross any centre. It looks like director Sakthi has complicated the screenplay to prove himself a smart filmmaker.
The film maybe a favorite for 'A+ Centre' and certain class audiences below it will surely get discombobulated.
Set against the backdrops of a bank robbery, the film revolves around – Ravi (Prasanna) a higher official in a high-security bank, Fereed (Sibiraj) a burglar, Bank Manager Viswanath (SP Balasubramaniam), a sincere bank employee Devaki (Yasmin) and then comes Ramya with three different names – Aishwarya, Eeswari and Nandini.
A bank robbery is planned by Fereed and his co while unfavorable situations urge Ravi to join them.
But the biggest question pops up – Are the burglars really looking out for money or something else?
Well, the story seems to be interesting as we read in few lines. It looks like even producer SP Charan should've felt the same and approved the script. Indeed, we accept the filmmaker has got some innovative ideas to come up with. But then, he should have thought about one perfect idea – Who are my target audiences?
If we are gonna mark our verdicts terming 'Nanayam' as a film for 'multiplex audiences', then we're precisely wrong. Then imagine the situations of B and C centres, who hardly watch movies for the sake of entertainment.
Maybe, the publicity stunts about Sibiraj performing negative role would've adhered everyone to the film's expectation levels. But then none of the actors have got a meaty role to perform. Both Prasanna and Sibiraj are just sleepwalking through their roles. SP Balasubramaniam looks so dullish and it really makes us wonder how come he accepted to done such role. Despites Ramya having more footage, her performance level is below average. Yasmin steals the show with her minimal importance.
Technically, the film lacks substantiality: neither camera nor editing seems to be stylishly implemented.
Indeed, there are few things that'll keep you stunned. Firstly, it's about the unexpected suspense breaking out and the breathtaking stunt sequence between Prasanna and Sibiraj. Ramya's stealthy foray into bank looks interesting though it has been inspired from 'Matrix'.
On the whole, 'Nanayam' seems to have an impressive story when read as words, but debutant Sakthi fails to perfectly adapt them to the screens. Possibly, he should've dealt with this script after few years so as to avoid amateurish aspects.
Bank heists - it's something new when it comes to Tamil film industry. For sure, one thing that keeps us reminisced about 'bank robbery' sequence was with Bhagyaraj's yesteryear 'Rudra' that had a hilarious take on that trait. In literal sense, Hollywood’s best flicks – Tom Hanks' The Lady Killer, The Great Bank Robbery, Denzel Washington's 'Inside Man' and Al Pacino's 'Dog Day Afternoon' keeps us invigorated even when watched innumerable times.
But then, with Kollywood, there haven't been films completely based on bank robberies. Now with 'Nanayam' striking out with its genre, expectations were more with slick trailer. On pars, it could be termed as a challenging project for debutant Sakthi Rajan for having roped in two not-so successful actors Prasanna and Sibiraj in lead roles.
So, does the film live up to the expectations?
Definitely not! The film abysmally fails to engross any centre. It looks like director Sakthi has complicated the screenplay to prove himself a smart filmmaker.
The film maybe a favorite for 'A+ Centre' and certain class audiences below it will surely get discombobulated.
Set against the backdrops of a bank robbery, the film revolves around – Ravi (Prasanna) a higher official in a high-security bank, Fereed (Sibiraj) a burglar, Bank Manager Viswanath (SP Balasubramaniam), a sincere bank employee Devaki (Yasmin) and then comes Ramya with three different names – Aishwarya, Eeswari and Nandini.
A bank robbery is planned by Fereed and his co while unfavorable situations urge Ravi to join them.
But the biggest question pops up – Are the burglars really looking out for money or something else?
Well, the story seems to be interesting as we read in few lines. It looks like even producer SP Charan should've felt the same and approved the script. Indeed, we accept the filmmaker has got some innovative ideas to come up with. But then, he should have thought about one perfect idea – Who are my target audiences?
If we are gonna mark our verdicts terming 'Nanayam' as a film for 'multiplex audiences', then we're precisely wrong. Then imagine the situations of B and C centres, who hardly watch movies for the sake of entertainment.
Maybe, the publicity stunts about Sibiraj performing negative role would've adhered everyone to the film's expectation levels. But then none of the actors have got a meaty role to perform. Both Prasanna and Sibiraj are just sleepwalking through their roles. SP Balasubramaniam looks so dullish and it really makes us wonder how come he accepted to done such role. Despites Ramya having more footage, her performance level is below average. Yasmin steals the show with her minimal importance.
Technically, the film lacks substantiality: neither camera nor editing seems to be stylishly implemented.
Indeed, there are few things that'll keep you stunned. Firstly, it's about the unexpected suspense breaking out and the breathtaking stunt sequence between Prasanna and Sibiraj. Ramya's stealthy foray into bank looks interesting though it has been inspired from 'Matrix'.
On the whole, 'Nanayam' seems to have an impressive story when read as words, but debutant Sakthi fails to perfectly adapt them to the screens. Possibly, he should've dealt with this script after few years so as to avoid amateurish aspects.
Watch Kutty Movie Online
Watch Kutty Movie Online
Kutty : passable show
Production: Gemini Film Circuit
Direction: Jawahar Mithran
Star-casts: Dhanush, Shriya Saran, Radha Ravi, Srinath, Aarthi and others
Music: Devi Sri Prasad
Cinematography: Balasubramaniam
With most of the Pongal releases 'Aayirathil Oruvan' and 'Naanayam' turning to be the biggest disappoints, here's 'Kutty' that lives up to our expectations for certain extent. To be precise, the reason that kept us waiting for 'Kutty' was the grand success of 'Yaaradi Nee Mohini' churned out by the same duo Jawahar-Dhanush.
And now with big day of contestation, 'Kutty' is ahead of other releases.
As mentioned previously, the film is a remake of yesteryear Telugu blockbuster 'Aarya' starring Allu Arjun in lead role. If you're into the act of comparing both the original and remake version, keep yourself away from it. 'Original remains the best' and having remade after 4 years, there are few adaptations of present day situation in terms of setting.
But nothing makes the story different.
Arjun (Debutant Sameer) is a filthy rich guy and son of a leading politician Devanayagam (Radha Ravi). He has a great likeliness for college belle Geetha (Shriya Saran) and proposes her wholeheartedly. But as she keeps resenting his love, Arjun pretends to jump from the college terrace if she isn't gonna accept him. With no options left, Geetha propounds about dating him.
Enters Kutty (Dhanush), a happy-go-lucky youngster, who has no worries in life and what makes him so special is his cheerful attitude : Think Positive, Be Confident and things will happen as you wanted. Things take a turn over the tale when Kutty falls in love with Geetha at the first sight and indeed proposes her. But Geetha refuses the proposal as she already pitted herself into unwanted things. Rest of the film is all about Kutty winning her love with his affirmative approach and self-confidence.
Years back the Telugu version 'Aarya' was adjudged as a 'sang-froid entertainer' that offered a better show. Now, the film too travels on the same notes. The first half is slightly sluggish as it takes some time to settle down with the main plot. But later as it proceeds towards the second hour, it maintains the momentum. Probably, there are chances for few groups to have great likeliness for first half while others maybe interested in second half.
On the performance level, Dhanush with his boy-to-next-door looks offers a perfect amusement for his fans. Kudos to Shriya Charan! For the girl who hardly gave any performance, deserves special mention here with simple looks. Hope she keeps herself adhered to such sort of roles. Debutant Sameer steals the show with his appealing performance and he's the new guy to be watched in town. Aarthi and Srinath add to the humor quotients while Radha Ravi is okay.
Technically, the songs are completely disappointing as none of them keep us captivated. Especially, the ardent listeners of 'Aa Ante Amalapuram' of 'Aarya' will be disappointed with the train song over here. Balasubramaniam's cinematography is a visual treat with eye-catching shots.
If Jawahar Mithran had penned the screenplay with more finesses avoiding few subtle and slow moments, the film would be received great appreciation from all centres. As of now, 'Kutty' will be a winner amongst 'B' and 'C' centres. If you've planned to watch this film, walk into theatres without any expectations and you will feel it worthy.
If you're still looking out for a clear-cut verdict, just behave the way similar to this film's protagonist - Think positive and the film is good and probably the vice-versa as well.
Kutty : passable show
Production: Gemini Film Circuit
Direction: Jawahar Mithran
Star-casts: Dhanush, Shriya Saran, Radha Ravi, Srinath, Aarthi and others
Music: Devi Sri Prasad
Cinematography: Balasubramaniam
With most of the Pongal releases 'Aayirathil Oruvan' and 'Naanayam' turning to be the biggest disappoints, here's 'Kutty' that lives up to our expectations for certain extent. To be precise, the reason that kept us waiting for 'Kutty' was the grand success of 'Yaaradi Nee Mohini' churned out by the same duo Jawahar-Dhanush.
And now with big day of contestation, 'Kutty' is ahead of other releases.
As mentioned previously, the film is a remake of yesteryear Telugu blockbuster 'Aarya' starring Allu Arjun in lead role. If you're into the act of comparing both the original and remake version, keep yourself away from it. 'Original remains the best' and having remade after 4 years, there are few adaptations of present day situation in terms of setting.
But nothing makes the story different.
Arjun (Debutant Sameer) is a filthy rich guy and son of a leading politician Devanayagam (Radha Ravi). He has a great likeliness for college belle Geetha (Shriya Saran) and proposes her wholeheartedly. But as she keeps resenting his love, Arjun pretends to jump from the college terrace if she isn't gonna accept him. With no options left, Geetha propounds about dating him.
Enters Kutty (Dhanush), a happy-go-lucky youngster, who has no worries in life and what makes him so special is his cheerful attitude : Think Positive, Be Confident and things will happen as you wanted. Things take a turn over the tale when Kutty falls in love with Geetha at the first sight and indeed proposes her. But Geetha refuses the proposal as she already pitted herself into unwanted things. Rest of the film is all about Kutty winning her love with his affirmative approach and self-confidence.
Years back the Telugu version 'Aarya' was adjudged as a 'sang-froid entertainer' that offered a better show. Now, the film too travels on the same notes. The first half is slightly sluggish as it takes some time to settle down with the main plot. But later as it proceeds towards the second hour, it maintains the momentum. Probably, there are chances for few groups to have great likeliness for first half while others maybe interested in second half.
On the performance level, Dhanush with his boy-to-next-door looks offers a perfect amusement for his fans. Kudos to Shriya Charan! For the girl who hardly gave any performance, deserves special mention here with simple looks. Hope she keeps herself adhered to such sort of roles. Debutant Sameer steals the show with his appealing performance and he's the new guy to be watched in town. Aarthi and Srinath add to the humor quotients while Radha Ravi is okay.
Technically, the songs are completely disappointing as none of them keep us captivated. Especially, the ardent listeners of 'Aa Ante Amalapuram' of 'Aarya' will be disappointed with the train song over here. Balasubramaniam's cinematography is a visual treat with eye-catching shots.
If Jawahar Mithran had penned the screenplay with more finesses avoiding few subtle and slow moments, the film would be received great appreciation from all centres. As of now, 'Kutty' will be a winner amongst 'B' and 'C' centres. If you've planned to watch this film, walk into theatres without any expectations and you will feel it worthy.
If you're still looking out for a clear-cut verdict, just behave the way similar to this film's protagonist - Think positive and the film is good and probably the vice-versa as well.
aayirathil oruvan online movie
aayirathil oruvan online movie
Selvaraghavan’s two years in the making, action adventure Aayirathil Oruvan is a brave attempt at trying to come out with something new in the placid world of Tamil cinema. Breaking away from the shackles of the stereotypes, the director transports us to a whole new world and at the end of it all, we are dumb stuck by the visuals, the packaging and the new way of storytelling.
The film has a terrific first half with a basic thread, comedy, action, eye catching song picturisation, stunning visuals and grandeur. The film combines ultra-violent action with murky mysticism. The Government appoints a secret team led by archaeologist Anitha Pandian (Reemma) and a military officer Ravi (Azhagamperumal) to track down the missing links after a scientist and archaeologist (Pratap Pothen) vanishes into thin air while he was on his mission to discover the lost Chola civilization!
To help them reach the lost city, Lavanya, daughter of the missing archaeologist is roped in for the mission. And helping the group to carry their belongings through the rough and tough jungle terrain and sea is the Coolie gang led by Muthu (Karthi), a boorish, uncouth, foul mouthed guy with roving eyes. They go through some of the most inhospitable terrain full of hidden danger and nature’s fury.
Suddenly after a tedious expedition, they stumble on the lost Chola civilization and its king (Parthipan) and find unexplained links between them and the world’s earliest culture. What follows is a series of happenings that will leave you glued to the screen.
The subtle message that Selva tries to convey is that a group of people cut away from civilisation, struck with poverty and knowledge is far superior to the present generation who lack values, culture or basic human kindness. All this leads to some unexpected twists and turns in the climax till you find that history repeats once again as Muthu rescues and run away with the King’s son to the darkness, like what happened centuries back!
Aayirathil Oruvan starts with a bang, but it doesn’t unfold quickly. The second half takes a u-turn and is riddled with holes in the plot line and is confusing and tedious. It looks like another film and there are long gaps of silence in the climax which will make an ordinary viewer restless.
Directing an interweaving screenplay, Selva’s narrative structure bursts with sporadic agility along with top class camera work by Ramji.
GV Prakash’s background score and his music is tangy. Un Mela Aasadhan.. sung by Dhanush, Aishwarya Dhanush and Andrea and picturised on the lead trio is a rocker. The remixed old MGR song on Karthi and the coolies is a treat.
Reemma brings an uninhibited joie to her role as Anitha and thanks to the ability of the director has extracted a fine performance from her. Andrea is likeable and seems to have enjoyed doing the film. Parthipan is adequate as the king. But it is Karthi, who is a scream. Right from his introduction scene till the end, he is lovable and provides humour. Actually Karthi with his punchlines is getting the loudest claps as the crazy MGR fan and has made a sensational comeback three years after his debut film.
The film has to be seen in the right perspective. Selvaraghavan is trying to explore the frontiers of commercial cinema. For this alone he should be applauded.
Selvaraghavan’s two years in the making, action adventure Aayirathil Oruvan is a brave attempt at trying to come out with something new in the placid world of Tamil cinema. Breaking away from the shackles of the stereotypes, the director transports us to a whole new world and at the end of it all, we are dumb stuck by the visuals, the packaging and the new way of storytelling.
The film has a terrific first half with a basic thread, comedy, action, eye catching song picturisation, stunning visuals and grandeur. The film combines ultra-violent action with murky mysticism. The Government appoints a secret team led by archaeologist Anitha Pandian (Reemma) and a military officer Ravi (Azhagamperumal) to track down the missing links after a scientist and archaeologist (Pratap Pothen) vanishes into thin air while he was on his mission to discover the lost Chola civilization!
To help them reach the lost city, Lavanya, daughter of the missing archaeologist is roped in for the mission. And helping the group to carry their belongings through the rough and tough jungle terrain and sea is the Coolie gang led by Muthu (Karthi), a boorish, uncouth, foul mouthed guy with roving eyes. They go through some of the most inhospitable terrain full of hidden danger and nature’s fury.
Suddenly after a tedious expedition, they stumble on the lost Chola civilization and its king (Parthipan) and find unexplained links between them and the world’s earliest culture. What follows is a series of happenings that will leave you glued to the screen.
The subtle message that Selva tries to convey is that a group of people cut away from civilisation, struck with poverty and knowledge is far superior to the present generation who lack values, culture or basic human kindness. All this leads to some unexpected twists and turns in the climax till you find that history repeats once again as Muthu rescues and run away with the King’s son to the darkness, like what happened centuries back!
Aayirathil Oruvan starts with a bang, but it doesn’t unfold quickly. The second half takes a u-turn and is riddled with holes in the plot line and is confusing and tedious. It looks like another film and there are long gaps of silence in the climax which will make an ordinary viewer restless.
Directing an interweaving screenplay, Selva’s narrative structure bursts with sporadic agility along with top class camera work by Ramji.
GV Prakash’s background score and his music is tangy. Un Mela Aasadhan.. sung by Dhanush, Aishwarya Dhanush and Andrea and picturised on the lead trio is a rocker. The remixed old MGR song on Karthi and the coolies is a treat.
Reemma brings an uninhibited joie to her role as Anitha and thanks to the ability of the director has extracted a fine performance from her. Andrea is likeable and seems to have enjoyed doing the film. Parthipan is adequate as the king. But it is Karthi, who is a scream. Right from his introduction scene till the end, he is lovable and provides humour. Actually Karthi with his punchlines is getting the loudest claps as the crazy MGR fan and has made a sensational comeback three years after his debut film.
The film has to be seen in the right perspective. Selvaraghavan is trying to explore the frontiers of commercial cinema. For this alone he should be applauded.
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australian open 2010 official website, australian open, australian open scores, australian open 2010 tv schedule, australian open 2010, sharapova
Ticketek's ezyTicket
Tennis Australia recommends Ticketek’s ezyTicket as our preferred method of delivery.
Ticketek’s ezyTicket offers you the ultimate convenience when you book selected events online.
Your ezyTicket is emailed to you so you can print them at your convenience. Each ezyTicket has a uniquely encrypted barcode to validate entry to events and allow for detection of counterfeit tickets.
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• ezyTicket is currently available for selected events only
Official Website : www.australianopen.com
Ticketek's ezyTicket
Tennis Australia recommends Ticketek’s ezyTicket as our preferred method of delivery.
Ticketek’s ezyTicket offers you the ultimate convenience when you book selected events online.
Your ezyTicket is emailed to you so you can print them at your convenience. Each ezyTicket has a uniquely encrypted barcode to validate entry to events and allow for detection of counterfeit tickets.
How do I buy an ezyTicket?
To purchase an ezyTicket you must have:
• Web Browsers: Microsoft Internet Explorer 5.5 or higher and Firefox 1.0 or higher for PC, Safari 1.3 or higher for Mac.
• ezyTicket must be purchased from Ticketek's website. Caution: Do not accept an ezyTicket from unknown parties as they may not be legitimate.
• ezyTicket is currently available for selected events only
Official Website : www.australianopen.com
golden globe awards winners, golden globe awards 2010 winners, golden globe awards 2010 nominees, golden globe award winners, golden globe awards
golden globe awards winners, golden globe awards 2010 winners, golden globe awards 2010 nominees, golden globe award winners, golden globe awards, golden globes 2010
The winners of the 67th Annual Golden Globe Awards, the precursor to the Academy Awards, were announced tonight at an exciting ceremony held at The Beverly Hilton in Beverly Hills. We will be updating this list live below with all of the winners once they're announced during the ceremony tonight. I'm rooting for many of the great movies that got nominations this year (like 500 Days of Summer, District 9, Up in the Air) and I'm already excited to see who takes home the most Globes this time. I'm not expecting any major upsets, but you never know, Avatar could sweep this year if everything goes right. Read on for the results!
The 67th Annual Golden Globe Awards were held at The Beverly Hilton hosted by Ricky Gervais with a live telecast on NBC. The full list of winners can be found in full below. Winners are highlighted in BOLD.
BEST DRAMA
Avatar
The Hurt Locker
Inglourious Basterds
Precious
Up in the Air
DIRECTOR
Katheryn Bigelow - The Hurt Locker
James Cameron - Avatar
Clint Eastwood - Invictus
Jason Reitman - Up in the Air
Quentin Tarantino - Inglourious Basterds
ACTOR (DRAMA)
Jeff Bridges - Crazy Heart
George Clooney - Up in the Air
Colin Firth - A Single Man
Morgan Freeman - Invictus
Tobey Maguire - Brothers
ACTRESS (DRAMA)
Emily Blunt - The Young Victoria
Sandra Bullock - The Blind Side
Helen Mirren - The Last Station
Carey Mulligan - An Education
Gabourey Sibide - Precious
BEST MUSICAL OR COMEDY
500 Days of Summer
The Hangover
It's Complicated
Julie & Julia
Nine
ACTOR (MUSICAL OR COMEDY)
Matt Damon - The Informant
Daniel Day Lewis - Nine
Robert Downey, Jr. - Sherlock Holmes
Joseph Gordon Levitt - 500 Days of Summer
Michael Stuhlbarg - A Serious Man
ACTRESS (MUSICAL OR COMEDY)
Sandra Bullock - The Proposal
Marion Cotillard - Nine
Julia Roberts - Duplicity
Meryl Streep - It's Complicated
Meryl Streep - Julie & Julia
FOREIGN-LANGUAGE FILM
A Prophet
Baarìa
Broken Embraces
The Maid
The White Ribbon
ANIMATED FILM
Cloudy with a Chance of Meatballs
Coraline
Fantastic Mr. Fox
The Princess and the Frog
Up
SUPPORTING ACTOR
Matt Damon - Invictus
Woody Harrelson - The Messenger
Christopher Plummer - The Last Station
Stanley Tucci - The Lovely Bones
Christoph Waltz - Inglourious Basterds
SUPPORTING ACTRESS
Penelope Cruz - Nine
Vera Farmiga - Up in the Air
Anne Kendrick - Up in the Air
Mo'Nique - Precious
Julianne Moore - A Single Man
SCREENPLAY
District 9
The Hurt Locker
It's Complicated
Up in the Air
Inglourious Basterds
ORIGINAL SCORE
Michael Giacchino - Up
Marvin Hamlisch - The Informant
James Horner - Avatar
Abel Krozeniowski - A Single Man
Karen O. and Carter Burwell - Where the Wild Things Are
ORIGINAL SONG
"Cinema Italiano" - Nine
"I Want to Come Home" - Everybody's Fine
"I Will See You" - Avatar
"The Weary Kind" - Crazy Heart
"Winter" - Brothers
CECIL B. DEMILLE LIFETIME ACHIEVEMENT AWARD
Martin Scorsese
The winners of the 67th Annual Golden Globe Awards, the precursor to the Academy Awards, were announced tonight at an exciting ceremony held at The Beverly Hilton in Beverly Hills. We will be updating this list live below with all of the winners once they're announced during the ceremony tonight. I'm rooting for many of the great movies that got nominations this year (like 500 Days of Summer, District 9, Up in the Air) and I'm already excited to see who takes home the most Globes this time. I'm not expecting any major upsets, but you never know, Avatar could sweep this year if everything goes right. Read on for the results!
The 67th Annual Golden Globe Awards were held at The Beverly Hilton hosted by Ricky Gervais with a live telecast on NBC. The full list of winners can be found in full below. Winners are highlighted in BOLD.
BEST DRAMA
Avatar
The Hurt Locker
Inglourious Basterds
Precious
Up in the Air
DIRECTOR
Katheryn Bigelow - The Hurt Locker
James Cameron - Avatar
Clint Eastwood - Invictus
Jason Reitman - Up in the Air
Quentin Tarantino - Inglourious Basterds
ACTOR (DRAMA)
Jeff Bridges - Crazy Heart
George Clooney - Up in the Air
Colin Firth - A Single Man
Morgan Freeman - Invictus
Tobey Maguire - Brothers
ACTRESS (DRAMA)
Emily Blunt - The Young Victoria
Sandra Bullock - The Blind Side
Helen Mirren - The Last Station
Carey Mulligan - An Education
Gabourey Sibide - Precious
BEST MUSICAL OR COMEDY
500 Days of Summer
The Hangover
It's Complicated
Julie & Julia
Nine
ACTOR (MUSICAL OR COMEDY)
Matt Damon - The Informant
Daniel Day Lewis - Nine
Robert Downey, Jr. - Sherlock Holmes
Joseph Gordon Levitt - 500 Days of Summer
Michael Stuhlbarg - A Serious Man
ACTRESS (MUSICAL OR COMEDY)
Sandra Bullock - The Proposal
Marion Cotillard - Nine
Julia Roberts - Duplicity
Meryl Streep - It's Complicated
Meryl Streep - Julie & Julia
FOREIGN-LANGUAGE FILM
A Prophet
Baarìa
Broken Embraces
The Maid
The White Ribbon
ANIMATED FILM
Cloudy with a Chance of Meatballs
Coraline
Fantastic Mr. Fox
The Princess and the Frog
Up
SUPPORTING ACTOR
Matt Damon - Invictus
Woody Harrelson - The Messenger
Christopher Plummer - The Last Station
Stanley Tucci - The Lovely Bones
Christoph Waltz - Inglourious Basterds
SUPPORTING ACTRESS
Penelope Cruz - Nine
Vera Farmiga - Up in the Air
Anne Kendrick - Up in the Air
Mo'Nique - Precious
Julianne Moore - A Single Man
SCREENPLAY
District 9
The Hurt Locker
It's Complicated
Up in the Air
Inglourious Basterds
ORIGINAL SCORE
Michael Giacchino - Up
Marvin Hamlisch - The Informant
James Horner - Avatar
Abel Krozeniowski - A Single Man
Karen O. and Carter Burwell - Where the Wild Things Are
ORIGINAL SONG
"Cinema Italiano" - Nine
"I Want to Come Home" - Everybody's Fine
"I Will See You" - Avatar
"The Weary Kind" - Crazy Heart
"Winter" - Brothers
CECIL B. DEMILLE LIFETIME ACHIEVEMENT AWARD
Martin Scorsese
periyar university results, periyar university, periyar university results 2009
periyar university results, periyar university, periyar university results 2009
Periyar University results 2009 (PG Supplementary July Exam results 2009 Periya university): Periyar University results 2009 can be checked from the link given below. For more information, please refer the details given below.
To Check PG Supplementary July Exam results 2009 Periya university:
http://periyarresults.org.in
For more details on PG Supplementary July Exam results 2009 Periya university, please refer the main website at periyarresults.org.in. We will try to update this blog with the latest information on the same.
Periyar University results 2009 (PG Supplementary July Exam results 2009 Periya university): Periyar University results 2009 can be checked from the link given below. For more information, please refer the details given below.
To Check PG Supplementary July Exam results 2009 Periya university:
http://periyarresults.org.in
For more details on PG Supplementary July Exam results 2009 Periya university, please refer the main website at periyarresults.org.in. We will try to update this blog with the latest information on the same.
Vinnaithaandi Varuvaaya Stills, Vinnaithaandi Varuvaaya Movie Stills, Vinnaithaandi Varuvaaya Simbu Stills, Vinnaithaandi Varuvaaya Trisha Stills
Vinnaithaandi Varuvaaya Stills, Vinnaithaandi Varuvaaya Movie Stills, Vinnaithaandi Varuvaaya Simbu Stills, Vinnaithaandi Varuvaaya Trisha Stills
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stardust awards 2010, stardust awards, apsara awards 2009, apsara awards 2010, apsara award 2010, apsara awards
SUPERSTAR OF TOMORROW – MALE
Ranbir Kapoor – Wake Up Sid & Ajab Prem Ki Ghazab Kahani
Imraan Khan – Luck
Farhan Akhtar – Luck By Chance
Neil Nitin Mukesh – New York
Harman Baweja – What’s Your Rashee?
SUPERSTAR OF TOMORROW —FEMALE
Deepika Padukone – Love Aaj Kal
Sonam Kapoor – Delhi 6
Isha Sharvani – Luck By Chance
Mugdha Godse – Jail
Asin – London Dreams
BREAKTHROUGH PERFORMANCE — MALE
Abhimanyu Singh – Gulaal
Chandan Roy Sanyal – Kaminey
Parzan Dastur – Sikandar
Amol Gupte – Kaminey
Adhyayan Suman – Raaz-The Mystery Continues
Cyrus Broacha – 99
BREAKTHROUGH PERFORMANCE — FEMALE
Chitrashi Rawat – Luck
Urvashi Sharma – Baabarr
Shahana Goswami – Firaaq
Gauhar Khan – Rocket Singh - Salesman Of The Year
Mugdha Godse – All The Best
Kalki Koechlin – Dev D
Bhavna Pani – Fast Forward
Kulraj Randhawa – Chintuji
HOTTEST FILM OF THE YEAR
Paa
All The Best
Love Aaj Kal
Gulaal
Quick Gun Murugan
HOTTEST NEW DIRECTOR
Renzil D’Silva – Kurbaan
Anthony D’Souza – Blue
Ayaan Mukherjee – Wake Up Sid
Prabhu Devaa – Wanted
Zoya Akhtar – Luck By Chance
EXCITING NEW FACE
Shazahn Padamsee – Rocket Singh - Salesman Of The Year
Giselle Monteiro – Love Aaj Kal
Jacqueline Fernandez – Aladin
Shruti Hassan – Luck
STANDOUT PERFORMANCE BY A MUSIC DIRECTOR
Amit Trivedi – Dev D
RDB – Kambakkht Ishq
Piyush Mishra – Gulaal
Sharib-Toshi – Raaz-The Mystery Continues & Jashnn
Sohail Sen – What’s Your Rashee?
Bappa Lahiri – Jai Veeru
STANDOUT PERFORMANCE BY A LYRICIST
Amitabh Bhattacharya – Emosional Atyachar (Dev D)
Sandeep Shrivastava – Mere Sang Toh Chal Zaraa (New York)
Shellee – Dhol Yaara Dhol (Dev D)
Subrat Sinha – Piya Jaise Ladoo (Radio)
NEW MUSICAL SENSATION —MALE
Mohit Chauhan – Masakali (Delhi 6)
Mohit Chauhan – Dooriyan (Love Aaj Kal)
Amit Trivedi – Emosional Atyachar (Dev D)
Tochi Raina – Pardesi (Dev D)
Suraj Jagan – Give Me Some Sunshine (3 Idiots)
Toshi – Maahi (Raaz-The Mystery Continues)
NEW MUSICAL SENSATION —FEMALE
Kavita Seth – Iktara (Wake Up Sid)
Mouli Dave – Agre Ka Ghagra (Jai Veeru)
Tarannum Malik – Salone Kya (What’s Your Rashee?)
Shruti Hasaan – Aazma Luck Aazma (Luck)
Bela Shinde – Su Chhe (What’s Your Rashee?)
STARDUST SEARCHLIGHT AWARDS
BEST ACTOR
Abhay Deol – Dev D
Naseeruddin Shah – Firaaq
Kay Kay Menon – Gulaal
Rishi Kapoor – Chintuji
Irrfan Khan – Billu
Akshay Kumar – 8x10 Tasveer
BEST ACTRESS
Soha Ali Khan – 99
Preity Zinta – Videsh
Mahie Gill – Dev D
Lara Dutta – Billu
BEST FILM
Chintuji
Sankat City
99
Billu
Dev D
BEST DIRECTOR
Nandita Das – Firaaq
Priyadarshan – Billu
Ashu Trikha – Baabarr
Ranjit Kapoor – Chintuji
Pankaj Advani – Sankat City
Anurag Kashyap – Dev D
READERS CHOICE AWARDS
DREAM DIRECTOR
Rajkumar Hirani – 3 Idiots
Rajkumar Santoshi – Ajab Prem Ki Ghazab Kahani
Rohit Shetty – All The Best
Vishal Bhardwaj – Kaminey
R. Balki – Paa
Imtiaz Ali – Love Aaj Kal
BEST FILM OF THE YEAR —COMEDY
De Dana Dan
Ajab Prem Ki Ghazab Kahani
All The Best
Do Knot Disturb
Dil Bole Hadippa
BEST FILM OF THE YEAR —ACTION / THRILLER
Blue
Wanted
Kaminey
New York
Kurbaan
BEST FILM OF THE YEAR —DRAMA
3 Idiots
Love Aaj Kal
Dev D
Wake Up Sid
Delhi 6
STAR OF THE YEAR — MALE
Aamir Khan – 3 Idiots
Amitabh Bachchan – Paa
Saif Ali Khan – Love Aaj Kal
Salman Khan – Wanted
Akshay Kumar – Blue
Shahid Kapoor – Kaminey
Ajay Devgn – All The Best
STAR OF THE YEAR —FEMALE
Katrina Kaif – Ajab Prem Ki Ghazab Kahani & New York
Kareena Kapoor – Kurbaan & 3 Idiots
Vidya Balan – Paa
Rani Mukherjee – Dil Bole Hadippa
Priyanka Chopra – Kaminey
BEST ACTOR IN A SUPPORTING ROLE
Abhishek Bachchan – Paa
Vivek Oberoi – Kurbaan
Rishi Kapoor – Luck By Chance
Hrithik Roshan – Luck By Chance
Sharman Joshi – 3 Idiots
BEST ACTRESS IN A SUPPORTING ROLE
Dimple Kapadia – Luck By Chance
Kirron Kher – Kurbaan
Divya Dutta – Delhi 6
Tisca Chopra – Firaaq
Supriya Pathak – Wake Up Sid
BEST ACTOR IN A COMEDY ROLE
Sanjay Dutt – All The Best
Akshay Kumar – De Dana Dan
Ajay Devgn – All The Best
Riteish Deshmukh – Do Knot Disturb
Govinda – Life Partner
India vs Bangladesh 1st Test Day 2 Live Streaming
India vs Bangladesh 1st Test Day 2 Live Streaming, India vs Bangladesh 1st Test Day 2 Live Online, India vs Bangladesh 1st Test Day 2 Live Online Streaming, India vs Bangladesh 1st Test Day 2 Live Sopcast
India
vs
Bangladesh
1st Test
Live Streaming from Chittagong
Played at Zohur Ahmed Chowdhury Stadium
Live Streaming on NEO CRICKET
Cricket Live Streaming
India
vs
Bangladesh
1st Test
Live Streaming from Chittagong
Played at Zohur Ahmed Chowdhury Stadium
Live Streaming on NEO CRICKET
Cricket Live Streaming
Pakistan vs Australia 3rd Test Day 5 Live Streaming
Pakistan vs Australia 3rd Test Day 5 Live Streaming, Watch Pakistan vs Australia 3rd Test Day 5 Live Streaming, Pakistan vs Australia 3rd Test Day 5 Live Online
Pakistan in Australia Test Series
Australia
vs
Pakistan
Played
@
Hobart
Date : JAN 14 to 18
TIME : 23:30 GMT
Cricket Live Streaming
Pakistan in Australia Test Series
Australia
vs
Pakistan
Played
@
Hobart
Date : JAN 14 to 18
TIME : 23:30 GMT
Cricket Live Streaming
South Africa vs England 4th Test Day 4 Highlights
South Africa vs England 4th Test Day 4 Highlights, watch South Africa vs England 4th Test Day 4 Highlights
India vs Bangladesh 1st Test Day 1 Highlights
India vs Bangladesh 1st Test Day 1 Highlights, watch India vs Bangladesh 1st Test Day 1 Highlights, Ind vs Bang 1st Test Day 1 Highlights
Pakistan vs Australia 3rd Test Day 4 Highlights
Pakistan vs Australia 3rd Test Day 4 Highlights
Pakistan - 67/3 in 21.0 overs (Khurram Manzoor 17, Umar Akmal 3)
Over 25.2: Referral by Pakistan, Umpire- RE Koertzen, Batsman- Umar Akmal (Struck down)
Pakistan: 100 runs in 32.1 overs (193 balls), Extras 2
Rain: Pakistan - 103/4 in 34.2 overs (Khurram Manzoor 23, Shoaib Malik 18)
End Of Day: Pakistan - 103/4 in 34.2 overs (Khurram Manzoor 23, Shoaib Malik 18)
Pakistan - 67/3 in 21.0 overs (Khurram Manzoor 17, Umar Akmal 3)
Over 25.2: Referral by Pakistan, Umpire- RE Koertzen, Batsman- Umar Akmal (Struck down)
Pakistan: 100 runs in 32.1 overs (193 balls), Extras 2
Rain: Pakistan - 103/4 in 34.2 overs (Khurram Manzoor 23, Shoaib Malik 18)
End Of Day: Pakistan - 103/4 in 34.2 overs (Khurram Manzoor 23, Shoaib Malik 18)
Bolton Wanderers vs Arsenal Live Streaming
Bolton Wanderers vs Arsenal Live Streaming, Watch Bolton Wanderers vs Arsenal Live Streaming, Bolton Wanderers vs Arsenal Live Online, Bolton Wanderers vs Arsenal Live Highlights
Sunday January 17, 2010 Kick off: 16:00 Day 22 Reebok Stadium
Bolton Wanderers v Arsenal
Countdown: Today - 16:00
Bolton have failed to keep a clean sheet in their last 11 Premier League games at the Reebok Stadium.
Arsenal have kept no clean sheets in their last 10 away matches in all competitions.
The Gunners have conceded exactly one goal in each of their last five Premier League games away from home.
Arsenal have not won consecutive away games in the Premier League since last April.
Arsenal have won their last three visits to the Reebok in all competitions, scoring three goals on each occasion.
Arsenal have won the last six meetings with Bolton in all competitions.
Kevin Davies has been booked against Arsenal more often than against any other club in the Premier League (9 times).
Tomas Rosicky has scored in each of his two Premier League appearances against Bolton.
65% of Bolton's goals have been netted using the left foot and just eight per cent via the right foot, league high and lows respectively.
Ivan Klasnic has scored five goals in his last six Premier League matches.
Sunday January 17, 2010 Kick off: 16:00 Day 22 Reebok Stadium
Bolton Wanderers v Arsenal
Countdown: Today - 16:00
Bolton have failed to keep a clean sheet in their last 11 Premier League games at the Reebok Stadium.
Arsenal have kept no clean sheets in their last 10 away matches in all competitions.
The Gunners have conceded exactly one goal in each of their last five Premier League games away from home.
Arsenal have not won consecutive away games in the Premier League since last April.
Arsenal have won their last three visits to the Reebok in all competitions, scoring three goals on each occasion.
Arsenal have won the last six meetings with Bolton in all competitions.
Kevin Davies has been booked against Arsenal more often than against any other club in the Premier League (9 times).
Tomas Rosicky has scored in each of his two Premier League appearances against Bolton.
65% of Bolton's goals have been netted using the left foot and just eight per cent via the right foot, league high and lows respectively.
Ivan Klasnic has scored five goals in his last six Premier League matches.
Blackburn Rovers vs Fulham Live Streaming
Blackburn Rovers vs Fulham Live Streaming, Watch Blackburn Rovers vs Fulham Live Streaming, Blackburn Rovers vs Fulham Live, Blackburn Rovers vs Fulham Live Online, Blackburn Rovers vs Fulham Highlights
Sunday January 17, 2010 Kick off: 15:00 Day 22 Ewood Park
Blackburn Rovers vs Fulham
Countdown: Today - 15:00
Blackburn have only lost one of their last nine Premier League home matches, but have won none of the last four.
Fulham have won none of their last nine Premier League away matches and failed to keep a clean sheet in any of them either.
Sam Allardyce's charges are on a run of nine league games without a win.
Clint Dempsey has scored three goals in his last two Premier League games against Rovers.
Fulham have not lost three league games in a row since October 2008.
Fulham are the only team in the Premier League not to concede a penalty this season.
The Whites have conceded a total of five goals in their last two league games, after conceding only two in the previous six.
Only Aston Villa and Manchester United have conceded fewer goals from set pieces than Blackburn (7), but no side has conceded as many from open play (32).
Fulham's 3-2 defeat at Stoke last time out was the first time that a league match they were involved in saw five goals since April 2008, a run of 60 games.
Sunday January 17, 2010 Kick off: 15:00 Day 22 Ewood Park
Blackburn Rovers vs Fulham
Countdown: Today - 15:00
Blackburn have only lost one of their last nine Premier League home matches, but have won none of the last four.
Fulham have won none of their last nine Premier League away matches and failed to keep a clean sheet in any of them either.
Sam Allardyce's charges are on a run of nine league games without a win.
Clint Dempsey has scored three goals in his last two Premier League games against Rovers.
Fulham have not lost three league games in a row since October 2008.
Fulham are the only team in the Premier League not to concede a penalty this season.
The Whites have conceded a total of five goals in their last two league games, after conceding only two in the previous six.
Only Aston Villa and Manchester United have conceded fewer goals from set pieces than Blackburn (7), but no side has conceded as many from open play (32).
Fulham's 3-2 defeat at Stoke last time out was the first time that a league match they were involved in saw five goals since April 2008, a run of 60 games.
Aston Villa vs West Ham United Live Streaming
Aston Villa vs West Ham United Live Streaming, Watch Aston Villa vs West Ham United Live Streaming, Aston Villa vs West Ham United Live, Aston Villa vs West Ham United Live Online, Aston Villa vs West Ham United Highlights
Sunday January 17, 2010
Kick off: 13:30 Day 22 Villa Park
Aston Villa
vs
West Ham United
Countdown: Today - 13:30
Sunday January 17, 2010
Kick off: 13:30 Day 22 Villa Park
Aston Villa
vs
West Ham United
Countdown: Today - 13:30
Only one team has managed to score more than once at Villa Park in the last 13 matches played there in the league, Wigan 2-0 winners on the opening day of this season.
Defeat against Liverpool in the last match ended a run of eight undefeated at home for Martin O'Neill's men.
West Ham have won none of their last nine Premier League away matches and lost the last three in a row.
The Hammers have not kept a clean sheet in their last eight Premier League away games and six of their last seven hosts have scored at least two goals.
Aston Villa have scored exactly one goal in seven of the last eight Premier League meetings with West Ham, netting two in the other match.
The Hammers have won only one of the last seven Premier League meetings with Villa, but that came earlier this season at Upton Park.
West Ham have only been able to win three of their last 20 Premier League meetings with Aston Villa.
11 of the last 19 Premier League meetings between Villa and the Hammers have ended in a draw.
Aston Villa have conceded just one headed goal, fewer than any other team.
chance pe dance movie watch online
chance pe dance movie watch online
Producer Ronnie Screwvala
Director Ken Ghosh
Music Adnan Sami, Sandeep Shirodkar
Lyrics Irfan Siddique, Amitabh Bhattacharya, Kumaar, Pritam Chakraborty
Release Date 15-Jan-2010
Ken Ghosh’s dance-drama takes no chance in experimenting with storytelling style and ends up being an extended version of the music videos that he used to direct before making feature films.
Chance Pe Dance is stuff legendary Bollywood biographies are made of. Sameer Behl (Shahid Kapoor) comes to Bombay with Bollywood dreams, struggles through the day as a courier boy and keeps failing in auditions for advertisements. More stereotypes are stuffed in as he refuses to take help from his dad in Delhi (Parikshit Sahni almost repeating his Idiot act), is thrown out from his rented flat by the landlord (Kurush Deboo still unable to surpass his Parsi performance) and comes away with his calculative companion (Vikas Bhalla making his comeback).
Soon Sameer is signed as the male lead in a film and friend Tina (Genelia D’Souza) is selected as the choreographer on the same project. The characterizations kinda remind of Naach ; Ram Gopal Varma’s film on dance, if you have heard of it by any chance. Both homeless and jobless now, Sameer sleeps in his car (yes, he could afford one after doing one lungi ad) and works as a dance teacher in a school. Regardless of the references it derives from Jack Black’s The School of Rock , the film fails to rock till the end credits roll.
Subsequently Sameer loses his film and is disillusioned. Tina encourages him to participate in a television talent-hunt show, the winner of which will win the same role that Sameer was to play. In his screen-test, Sameer dedicates his monologue to his mother in the same mould with which most Miss India participants mouth their monotonous thanksgiving speech.
The film starts on a promising note with smoothly synchronized opening credits but by its sixth scene you sense where it’s heading. The screenplay by Ken Ghosh and Nupur Asthana is conventional to the core, has predictable plot-points and lacks any dramatic graph. Kiran Kotrial’s dialogues lack depth and additional writing help by Manu Rishi ( Oye Lucky Lucky Oye ) doesn’t add any value to the narrative. Ken Ghosh’s direction lacks as much conviction as his writing and it’s easy to comprehend how he hurries and fabricates the storytelling in the second half.
The story had enough scope to be humourous but the treatment is lame and laughable. Sameer’s training and team-building sessions with the school kids is rushed through a transition song and does not contribute to the central plot in any way. Though Shahid and Genelia make a cute couple on screen, their chemistry is concocted at the same dull and dreary speed with which Genelia rides her two-wheeler in those two hilarious scenes of the film. Sadly by the time she picks up pace in the climax, it’s a bit too late.
For a dance-driven film like this, the music should have been catchy beyond comparison. Though Adnan Sami and Pritam’s tunes don’t disappoint, it isn’t mind-blowing material. Choreography is a clearly the highlight of the film. Dance directors Ahmed Khan and international artist Marty Kudelka give challenging steps to Shahid Kapoor that he performs with effortless grace, panache and attitude. But too much of song-n-dance is detrimental to the film’s flow.
Finally the entire burden of carrying off this film lands on Shahid Kapoor’s shoulders and his chiseled flashboard abs prove of no help in this respect. He dances fabulously and acts convincingly but isn’t able to salvage the sinking ship. Genelia D’Souza is delightful and appealing. The kids try too hard to be cute. Zian Khan esp. has lost his childish charm.
Sadly, scripts are written for reality shows today but there is no real good scripting involved in feature films. So in times when dance talent-hunt shows on television promise more drama and entertainment, you find no good reason why to give this dance a chance.
Producer Ronnie Screwvala
Director Ken Ghosh
Music Adnan Sami, Sandeep Shirodkar
Lyrics Irfan Siddique, Amitabh Bhattacharya, Kumaar, Pritam Chakraborty
Release Date 15-Jan-2010
Ken Ghosh’s dance-drama takes no chance in experimenting with storytelling style and ends up being an extended version of the music videos that he used to direct before making feature films.
Chance Pe Dance is stuff legendary Bollywood biographies are made of. Sameer Behl (Shahid Kapoor) comes to Bombay with Bollywood dreams, struggles through the day as a courier boy and keeps failing in auditions for advertisements. More stereotypes are stuffed in as he refuses to take help from his dad in Delhi (Parikshit Sahni almost repeating his Idiot act), is thrown out from his rented flat by the landlord (Kurush Deboo still unable to surpass his Parsi performance) and comes away with his calculative companion (Vikas Bhalla making his comeback).
Soon Sameer is signed as the male lead in a film and friend Tina (Genelia D’Souza) is selected as the choreographer on the same project. The characterizations kinda remind of Naach ; Ram Gopal Varma’s film on dance, if you have heard of it by any chance. Both homeless and jobless now, Sameer sleeps in his car (yes, he could afford one after doing one lungi ad) and works as a dance teacher in a school. Regardless of the references it derives from Jack Black’s The School of Rock , the film fails to rock till the end credits roll.
Subsequently Sameer loses his film and is disillusioned. Tina encourages him to participate in a television talent-hunt show, the winner of which will win the same role that Sameer was to play. In his screen-test, Sameer dedicates his monologue to his mother in the same mould with which most Miss India participants mouth their monotonous thanksgiving speech.
The film starts on a promising note with smoothly synchronized opening credits but by its sixth scene you sense where it’s heading. The screenplay by Ken Ghosh and Nupur Asthana is conventional to the core, has predictable plot-points and lacks any dramatic graph. Kiran Kotrial’s dialogues lack depth and additional writing help by Manu Rishi ( Oye Lucky Lucky Oye ) doesn’t add any value to the narrative. Ken Ghosh’s direction lacks as much conviction as his writing and it’s easy to comprehend how he hurries and fabricates the storytelling in the second half.
The story had enough scope to be humourous but the treatment is lame and laughable. Sameer’s training and team-building sessions with the school kids is rushed through a transition song and does not contribute to the central plot in any way. Though Shahid and Genelia make a cute couple on screen, their chemistry is concocted at the same dull and dreary speed with which Genelia rides her two-wheeler in those two hilarious scenes of the film. Sadly by the time she picks up pace in the climax, it’s a bit too late.
For a dance-driven film like this, the music should have been catchy beyond comparison. Though Adnan Sami and Pritam’s tunes don’t disappoint, it isn’t mind-blowing material. Choreography is a clearly the highlight of the film. Dance directors Ahmed Khan and international artist Marty Kudelka give challenging steps to Shahid Kapoor that he performs with effortless grace, panache and attitude. But too much of song-n-dance is detrimental to the film’s flow.
Finally the entire burden of carrying off this film lands on Shahid Kapoor’s shoulders and his chiseled flashboard abs prove of no help in this respect. He dances fabulously and acts convincingly but isn’t able to salvage the sinking ship. Genelia D’Souza is delightful and appealing. The kids try too hard to be cute. Zian Khan esp. has lost his childish charm.
Sadly, scripts are written for reality shows today but there is no real good scripting involved in feature films. So in times when dance talent-hunt shows on television promise more drama and entertainment, you find no good reason why to give this dance a chance.
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